Today, Wednesday, I had no plans to go out, but because I received a message that an order had arrived, I decided to go out and pick it up. However, due to the rush, I didn't bring my camera with me. I still took advantage of the opportunity to take pictures while I waited in certain places around the city while the rain passed. At first, it started to rain very heavily and then lingered for a while, so I had to wait a while, practically jumping from one place to another, getting a little closer to where I live.

As always, here is a sample of what I see, what I can perceive of the city, and in a way, my perspective on the images present in every corner. It is the way I can appreciate each of these elements, but with certain qualities that can characterize it and are, in this case, almost striking to me.

For today's post, I'm dedicating this small space to this series of photos on the theme of those architectural forms, those small and large details that each building offers us with respect to its visual appearance, with the aim of perceiving all the harmony and conformation of all its forms, as well as the entire environment I usually encounter when creating these photographic compositions where architecture is of utmost importance.

Today I bring you this series of photos with the essence of black and white, with the determination of the contrast of each of the images displayed for this publication. I intend to show this visual world from this monochromatic perspective, where everything seeks to explore and inquire between forms, a harmony of everything visual that is understood in three environments.

For this day, I'm presenting this exhibition of eight photographs, both in color and black and white. They are snapshots of the city, everything that makes up this universe and this circumstance, where the variety of vision is a joy for those of us who love taking photographs. It's like the sensation of savoring our eyes with everything we see—at least that's what I like to do in this sense. Therefore, this is the visual overview of what I usually do; it's routine and determination.

Whenever I go out, I tend to visualize people a lot. We're all very visual, and especially those who love photography—it's a very defined quality in each of us. But there's also the fact of taking pictures of people. For many, it can be strange to have someone focusing on you to take a picture. On the one hand, they don't understand why, while for others, their curiosity stems mostly from mistrust, from the simple fact of what we're going to do with those photos, and for what purpose.