In Mexico, even former president Andrés Manuel López Obrador was against the dissemination of so-called (narco)corridos, a musical genre that has exploded onto the global charts embodied in figures such as Peso Pluma and groups such as Fuerza Regida. But, in the end, what these songs do is express a reality. This reality is and will remain alive beyond any potential censorship that may be imposed on their musical contributions, because it is not there where the source of the problem lies. That reality, filled with drug use and trafficking, and deadly clashes between gangs and cartels, each with their codes of honor, symbolism, and slang, is there to stay. I think about this as I listen to Marlboro Rojo, a recent song by Fuerza Regida that captures all the essence of narcocorridos: (deadly) violence, women, and ostentation. And, at the same time, I read about the discovery this week of five members of the group Fugitivo—four musicians and their manager—who disappeared last Sunday after realizing that the place where they had been invited to perform, in the violent city of Reynosa, in the border state of Tamaulipas, was a vacant lot—strange that they hadn't checked this out first. Some speculate that the young musicians upset an organized crime group when they sang a controversial narcocorrido in a bar the night before.